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Jack White, founding member of The White Stripes, The Raconteurs, and The Dead Weather, a 12-time GRAMMY Award-winner and 36-time nominee, and Third Man Records founder, released his fourth and fifth solo studio albums in 2022, FEAR OF THE DAWN was released in April and ENTERING HEAVEN ALIVE followed in July. In addition to writing global anthems such as The White Stripes’ ‘Seven Nation Army’ and The Raconteurs’ ‘Steady, As She Goes’, all three of White’s acclaimed previously released solo albums – 2012’s RIAA gold certified solo debut, BLUNDERBUSS, 2014’s LAZARETTO, and 2018’s BOARDING HOUSE REACH – debuted at #1 on the SoundScan/Billboard 200 along with a variety of other charts.

Among his myriad of international honors, White’s long run of career GRAMMY awards and nominations saw BLUNDERBUSS earning five nods over two years, including “Album of the Year,” “Best Rock Album,” “Best Rock Song” (for ‘Freedom At 21’), “Best Rock Performance,” and “Best Music Video” (the latter two honoring the single, ‘I’m Shakin’). LAZARETTO proved equally popular with GRAMMY voters, scoring a nomination as “Best Alternative Music Album,” while its title track received the 2015 GRAMMY Award for “Best Rock Performance” as well an additional nod as “Best Rock Song.”

BOARDING HOUSE REACH proved among White’s most unique works, topping a variety of charts in the US and Canada while drawing applause around the world. In 2020, White released The White Stripes Greatest Hits and unveiled jackwhiteartanddesign.com, as well as opened the doors to Third Man Records London – the third Third Man Records location and first internationally. Catch White as he performs tracks from his solo collection at The White Stripes’ catalogue at HARVEST ROCK.

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Formed from the ashes of Split Enz by Neil Finn, Paul Hester and Nick Seymour, Crowded House’s first incarnation released four studio albums that saw them become beloved globally for their freewheeling live show. Their 1986 self-titled debut made a lasting impression on the world, with global hits ‘Don’t Dream It’s Over’ and ’Something So Strong’.

Those songs, and the many that followed, still resonate with audiences today. This lineup said Farewell to the World on the steps of the Sydney Opera House in 1996 with a now legendary performance in front of 150,000 people. In 2005, following the tragic death of Paul Hester, Nick and Neil felt compelled to bring Crowded House back.

They released the album Time On Earth to critical acclaim and toured the world. Intriguer was recorded in 2009, and 2016 saw the band inducted into the Aria Hall of Fame, at the same time reprising its Farewell shows at the Sydney Opera House. Crowded House remerged in 2020, featuring original band members Neil and Nick, long-time friend and collaborator Mitchell Froom and Finn’s sons Liam and Elroy. They released Dreamers Are Waiting in 2021, winning Best Contemporary Album at the ARIA Awards before heading on a world tour.

The recurring musical dream known as Crowded House is far from over, revived and rebuilt on a sturdy foundation of newfound creative energy, familial harmony and a heartfelt exuberance for all the musical possibilities that lay ahead. Be a part of it at HARVEST ROCK.

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In 1990, as cheesy pop and hair metal dominated the charts and journalists were lamenting the death of rock, Atlanta’s Black Crowes gave the genre a swift and much needed kick in the ass with Shake Your Money Maker. Fuelled by singles ‘Jealous Again’, ‘Twice As Hard’, ‘She Talks To Angels’ and the break-through cover of Otis Redding’s ‘Hard To Handle’, the band immediately took the rock world by storm, topping Rolling Stone’s “Best New American Band Readers Poll” in late 1990.

The Black Crowes went on to release eight studio albums and four live albums, selling in the tens of millions. Along the way, they sold out shows around the world, had legendary guitarist Jimmy Page join the band, got kicked off a tour with ZZ Top for insulting the sponsor, got screwed by bad record deals, got married and divorced and fought amongst themselves and against the rest of the world. In other words, they’ve done everything a legendary rock band should have.

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The Texan trio – bassist Laura Lee, guitar wizard Mark Speer and drummer Donald “DJ” Johnson – formed in Houston in 2009. Boosted by their acclaimed debut album, The Universe Smiles Upon You, Khruangbin has been on countless global tours, shared stages with the likes of Father John Misty and Massive Attack, and played to sold-out crowds at nearly every major festival in the world.

Scoring critical raves for their sophomore album, 2018’s Con Todo el Mundo, and 2020’s Mordechai, which featured tracks such as ‘Dern Kala’, ‘Maria También’ and ‘People Everywhere (Still Alive)’ that have become live anthems for their many fans - Khruangbin is a live force to be reckoned with. 2021’s Mordechai Remixes, their first remix album, featured re-imaginings by Kadhja Bonet, Soul Clap, Quantic, Harvey Sutherland, and more.

saturday |

Since 1997, Groove Armada have proven to be one of the most influential forces in dance music, bravely exploring a multitude of sounds while achieving critical and commercial success. From the dancehall dub of ‘Superstylin’ and the crossover pop of ‘Song 4 Mutya (Out of Control)’ to the woozy sunset vibes of ‘At The River’ and the dancefloor-igniting ‘I See You Baby’, Groove Armada have consistently and uncompromisingly followed their own vision. 

Since meeting at University, the duo, Tom Findlay and Andy Cato, have released eight studio albums, thirteen compilation albums and twenty-four singles, as well as collaborated with or remixed countless high-profile artists, notably Madonna, Paul Simon, Fatboy Slim, Calvin Harris, Neneh Cherry and Bryan Ferry.

It’s no surprise that they’ve achieved three UK Top 10 albums, three Grammy nominations, a BRIT nomination and a succession of hit singles that are still being discovered by new fans to this day. Despite having formed a quarter-of-a-century before streaming exploded, they still command the attention of almost two million monthly listeners on Spotify.

sunday |

Very little has stood in the way of Sam Fender and his rapid ascent in recent years. His 2017 debut single ‘Play God’ is a propulsive, politically charged slice of indie rock, which quickly led to a deal with Polydor Records and the release of his 2019 debut, Hypersonic Missiles, an album that channels modern-day anxiety through heartfelt heartland rock.

Sam writes honestly and candidly about subjects of social and generational significance, broadly drawn from his experiences growing up in the North East of England. His 2021 critically acclaimed single ‘Seventeen Going Under’ hit hard, with soaring arrangements and bold statements that continue to prove Fender’s power as a mighty millennial voice for the working class.

Sam Fender has spent the last few years touring the world and cultivating a loyal, passionate fan base of hundreds of thousands of listeners globally with his latest singles ‘Get You Down’, ‘Spit Of You’ and ‘The Dying Light’ for which he deservedly was awarded “Best Album In The World” at the 2022 NME awards.

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The Lumineers released their eponymous debut album in 2012, scoring them two GRAMMY nominations and spawning chart-topping platinum singles, ‘Ho Hey’ and ‘Stubborn Love’. After years of touring the world in support of their debut album, the band released Cleopatra in 2016.

The platinum album debuted #1 on both Billboard’s Top 200 Albums Chart and the UK Albums Chart and featured the gold title track as well as the platinum single, ‘Ophelia’. Their third album III was released in 2019, taking a batch of intensely personal, emotionally naked songs into the top tier of the Pop charts.

In contrast to the anguished, narrative-driven III, the songs from The Lumineers’ latest offering, BRIGHTSIDE, are buoyed by an underlying optimism. Here, although several of the songs are about a relationship being tested or coming apart, their soft/LOUD dynamic sets up widescreen, electrifying climaxes that feel life-embracing. This is unquestionably The Lumineers' most rocking album – and we can’t wait to see it live at HARVEST ROCK! 

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Cap pulled over her eyes and keyboard at her fingertips, Australian singer-songwriter and multi- instrumentalist Tones And I quickly rose from busking on the streets to international pop superstardom with a record-breaking generational smash, critical acclaim, television performances and worldwide sold-out shows. Now in 2022, Tones is set for her biggest year yet with the release of her single ‘Eyes Don't Lie’, an international tour throughout the UK, Europe and North America, as well as an upcoming EP. Tones And I continues to pave the way for emerging artists from Australia and around the world.

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There are few living musicians as influential and wholly original as world renowned recording artists, producers and DJs, The Avalanches. Their debut album 'Since I Left You', released in 2000, laid the blueprint for the future of sample-based music in the 21st century.

Similarly, their follow up album, 2016’s ‘Wildflower', sits on a patchwork of samples earning the band further critical acclaim across the globe. In 2020, their third full length album 'We Will Always Love You' went on to garner further worldwide critical acclaim, but it’s not only through their studio albums that The Avalanches have made a mark on the musical landscape, they’ve released cult famous mixtapes that have become heavily coveted collectibles.

As DJs, they’ve performed at their own infamous monthly club night ‘Brains', to the main stage at some of the biggest festivals in the world including Splendour In The Grass, Fuji Rock, Primavera Sound, Glastonbury, Coachella and Creamfields. Big believers in the life changing power of music, wherever they’re playing and whatever they’re spinning, The Avalanches’ sets will always be joyous, raucous and celebratory affairs.

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In the hands of Courtney Barnett, fragments of everyday life become rich and riveting. A deft lyricist and virtuosic guitarist, she is an emblem of millennial wit and one of Australia’s most successful musical exports. Based for much of her adult life in Melbourne, Barnett first found critical acclaim with 2013’s The Double EP: A Sea of Split Peas, and broke into the mainstream in 2015 with her debut album, Sometimes I Sit and Think, and Sometimes I Just Sit.

Garnering a coveted Best New Artist Grammy nomination and numerous other accolades, the album stands as a generational classic. Barnett followed her debut with 2017’s Lotta Sea Lice, an acclaimed collaborative record with Kurt Vile, and eschewed the vignettes of her early records on 2018’s Tell Me How You Really Feel, her humid, political sophomore record, which featured the Margaret Atwood-invoking single “Nameless, Faceless”. In 2021, she released Things Take Time, Take Time, a remarkable artistic step forward.

Barnett returns doing what she does best: translating the chaos of the world into sparkling, indelible poetry. Barnett is also a powerhouse live act, playing slots at festivals including Coachella, Bonnaroo, Governor’s Ball, Primavera and Lollapalooza.

saturday |

While Kurt Vile is clearly inspired by a record store’s worth of legendary artists and 21st-century contemporaries, his latest album, (watch my moves), proves that his musical vision is singular. Vile pulls his talents as a singer, songwriter, multi-instrumentalist, and producer in unexpected directions, and the result is a vibrant, yet meditative album propelled by Vile’s laid-back charm and curious spirit.

(watch my moves) comes from a period when Vile, whose touring and recording schedule during the 2010s was seemingly constant, stayed in one place. His mind was always swirling, though, puzzling out pointillistic lyrics, dreaming up spit-shined choruses and checking in on other dimensions.

“My favorite pastime these days is sitting drinking coffee in the morning post-breakfast by the window, reading and listening to Sun Ra, sun shining through the forest trees,” says Vile. “In that moment, it’s all the traveling I’ll ever need. This record encapsulates all that—letting two years roll by and staying in my zone, traveling all the while in my brain, at the piano or in my guitar.” Catch Vile playing songs from (watch my moves) and more in Adelaide this November.

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Sydney born siblings Angus & Julia Stone music spans intimate folk and dreamy indie pop. The duo’s debut album A Book Like This was released in 2007 and charted in the Top Ten in Australia. Two years later, they returned with Down the Way which became a breakthrough success, debuting at #1 in Australia and earning the singing/song writing duo 5 ARIA Awards. Angus & Julia Stone released their third studio album in 2014, followed by their fourth LP, 2017’s acclaimed Snow.

Since then, the pair have embarked on searching, successful, and creatively fulfilling solo journeys: Angus with his beloved, kaleidoscopic Dope Lemon project, and Julia with Sixty Summers, her moonlit journey to pop’s avant-garde fringes. That’s until they were presented with an impossible-to-ignore opportunity, to reconsider themselves as artists in a new way — as composers, scoring for an award-winning video game.

And so, came Life Is Strange, Angus & Julia Stone’s unexpected, unguarded, unforgettable fifth album, a soundtrack record that might also just be one of the pair’s most immediate, most beautifully-rendered sets yet. Released in August 2021, the album acts as a kind of showcase of just how enviable the band’s craftsmanship has become over the past 15 years. Witness Angus & Julia Stone’s talent at HARVEST ROCK.

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The Teskey Brothers have come a very long way in a very short time. The four friends from Melbourne Australia have seen a meteoric rise in popularity in the past 12 months, amassing a legion of fans all around the world with their timeless soulful recordings and stunning live shows.

The band have released 2 critically acclaimed studio albums, with the second receiving 3 ARIA awards and a Grammy nomination. Their live album, ‘Live at The Forum’ released in 2020 reached the number one album position on the Australian charts. Onstage The Teskey Brothers pull out all stops, conjuring a rare soulful energy and raw emotion.

They’ve been crowd favourites at Bonnaroo, Fuji Rock, North Sea Jazz, Firefly, Bottlerock, Latitude and many others, not to mention selling out pretty much all of their own shows in Australia and internationally. Don’t miss their incredible live show when they take the stage at HARVEST ROCK!

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For the last 18 years, HOT CHIP have bridged the gap between the worlds of pop and dance music, moving bodies and touching hearts with equal measure. Their multi-decade career and enormous catalog has seen them continue to innovate and develop a rich, resonant songcraft.

In 2006, HOT CHIP’s album The Warning was nominated for a Mercury Prize. Shortly after, their 2008 hit single ‘Ready for the Floor’ was nominated for a Grammy. Since then, their music has broadened and deepened, spawning the tender musings about commitment on 2010’s One Life Stand and the poly-genre mashups of 2015’s Why Make Sense? Now, off the back of an epic Glastonbury set, HOT CHIP will bring their irreplaceable live energy and highly anticipated new album Freakout/Release to Australia in November.

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Forty years on, and with their messages of positive engagement in Indigenous rights and environmental protection more relevant than ever, Australian icons Goanna return to celebrate their multi-platinum, game-changing debut album ‘Spirit of Place’.

In the early ‘80s, in the midst of Aussie Rock’s golden age, Goanna helped forge a new Australian identity. Before Midnight Oil and Paul Kelly addressed similar issues, the iconic ‘Solid Rock’ stoked a fire for Indigenous rights that hasn’t gone out, while the anthem of ‘Let The Franklin Flow’ was a call to arms for the emerging environmental movement.

Soulful, lyrical, brimming with musicality and creative volatility, Goanna mixed classic folk song craft with spirited roots rock, helping to establish a musical thread that remains vital and ubiquitous in Australian music today. In 2022, Shane Howard, Rose Bygrave, Marcia Howard and Graham Davidge, with special guests, embark on a new journey. Reigniting the Goanna spirit once more and paying homage to their classic songs.

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Known for his enigmatic stage presence, Genesis Owusu has enraptured fans since he first burst onto the scene as a triple j Unearthed High finalist in 2015. Smiling With No Teeth marks Genesis Owusu’s first extended release since 2017’s debut Cardrive EP. Arriving in 2019, ‘wutd’ and ‘vultures’ emphasised his thrilling adaptability, going on to land his first ARIA nomination for “Best R&B/soul Release”.

In 2020, he received his second ARIA nomination for the album's debut single, ‘Don’t Need You’ which has collected over 1.3 million streams and landed at #73 on triple j’s Hottest 100. In 2021, Genesis Owusu took more global steps to success, when he was named among international 'artists to watch’ via the likes of NME, The Guardian UK and NPR, and more recently he joined YouTube’s Foundry Class of 2022, an independent artist development program for outstanding musical talent.

Throughout his burgeoning career, he’s performed multiple sold-out headline shows, as well as appeared on festival stages across Australia including Splendour In The Grass, Falls Festival, Goovin’ the Moo, Spilt Milk, St Jermone’s Laneway Festival and Field Day.

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The Living End are an Australian punk rock band, which was formed in 1994. The band rose to fame in 1997 after the release of their double A-sided single, ‘Second Solution’ / ‘Prisoner of Society’, which peaked at No. 4 on the Australian Singles Chart and went on to sell triple platinum. They have released seven studio albums and two reached the No. 

1 spot on the Australian Albums Chart: self-titled and State of Emergency. They’ve also gained chart success in the United States and the United Kingdom. The Living End are one of Australia’s most ferocious live acts, consistently headlining festivals around the country. The band tour internationally relentlessly; they average over 120 shows every year.

Their blistering live performances have earnt them an enviable position as one of Australia’s greatest live bands. They’ve been nominated 27 times and have won six ARIA Awards, have taken home an APRA Award for Song of the Year in 2009 and their debut album was listed in the book, 100 Best Australian Albums in 2010.

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With a catalogue of song writing that’s unparalleled in the worlds of indie rock and American music at large—spanning several decades and ten studio albums - Chan Marshall’s work as Cat Power has defied genre and convention, her legacy rippling through the work of a wide range of contemporary musical luminaries ranging from Lana Del Rey, Clairo, and Soccer Mommy to Phoebe Bridgers, Julien Baker, and Angel Olsen.

There’s a rawness and immediacy to Marshall’s music that has stood the test of time, with every new musical missive from her as essential as what’s come before it.Her latest release, Covers is her third collection of cover songs, following 2000’s seminal The Covers Record and the blockbuster Jukebox from 2008.

The record is at once a reminder of Marshall’s artistically intuitive power and the latest chapter in a truly illustrious career. Get ready for a moving performance, delivered with the strength and vulnerability that she has become known for, when Cat Power takes the stage at HARVEST ROCK.

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You Am I are without a doubt one of Australia’s all-time essential rock n’ roll bands. They’ve not only held one of the longest and most successful recording careers in Australia, but are also one of the most loved live bands in Australia.

In the last two decades they’ve won an incredible ten ARIA Awards, as well as three #1 albums on the ARIA Charts, with those albums going on to achieve multiple Platinum and Gold statuses for commercial sales. The band have toured extensively across Australia and around the world throughout their long and illustrious career and they bring that iconic sound and charisma to Adelaide in November.

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“I wanted to just start again and do everything without compromise,” says Meg Mac of the game-changing switch-up that led to Matter of Time, the Sydney-born singer’s third album. Having recorded a previous ‘third album’ for imminent release, Mac had some personal and professional doubts, leading to her scrapping the body of work two weeks before launch and making the move to a remote village in the NSW countryside.

There, Matter of Time came into being across 2020 and 2021 and is a document of an artistic rebirth, fleshed out by her most fully-realised sonic and visual palette yet. Enlisting production duo The Donuts (Kendrick Lamar) to capture Meg’s stunning and versatile vocals and push them to the fore in a range of ways, you can hear their synergy across the record, from the woozy, unlikely jam of ‘On Your Mind’, the breeziness of ‘Only Love’, and the intimacy of ‘Something In The Water’ and ‘Lifesaver’. All these pieces fit together to answer a puzzle that Meg has been trying to solve for years - to make a record that flourishes without compromise.

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Award winning singer/songwriter, Marlon Williams released his self-titled debut album in 2015. Make Way For Love followed in 2018, a stunning portrait of a breakup. Since then, Williams has toured the world, playing major festivals and collaborating with Lorde, Yo-Yo Ma and Florence Welch. He also forged a fledgling acting career with roles in films The True History of the Kelly Gang and Netflix series Sweet Tooth, as well as a cameo in Oscar winning film A Star Is Born.

My Boy, William’s third solo record, parlays this flush of worldly experience into a vivid record as spirited and kinetic as the unfolding life of its performer. As the pandemic paused global travel, Williams found himself at home in New Zealand, reconnecting with family and friends. Soon new demos and lyrical themes emerged: of self-identity and escapism; tribalism and a gnarled family tree; and ruminations on the role of masculinity and mateship.

Co-produced with Tom Healy and recorded at Roundhead Studios in New Zealand, My Boy finds Williams’ leading a new band through a set of genre-hopping tunes. The sonic and emotional whiplash caused is intentional, and ultimately My Boy sees Williams having fun, even while interrogating the behaviours of himself and those around him.

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Renowned for their blistering live shows, Holy Holy have sold out tours across the country, as well as played festivals like Groovin The Moo, Falls Festival, Splendour In The Grass, Bluesfest, Woodford and Yours & Owls. They’ve also toured extensively overseas, through the UK, The Netherlands, Germany and Spain, selling out shows and playing festivals like Primavera, London Calling, The Great Escape and Reeperbahn.

Holy Holy’s fourth album Hello My Beautiful World debuted at #4 on the ARIA Album Chart, was #3 on triple j listeners favourite albums of 2021 and was nominated for a J Award for Album of the Year. Built upon a foundation of electronic beats and rolling synths, the record combines lush string arrangements, May-esque guitar riffs and chanted vocals to produce a heady and persuasive mix.

The record moves fluidly through a collection of feverish moods and atmospheres, unfolding unpredictably and building to a series of fierce and manic highs, culminating in a live show which is utterly jaw-dropping and not to be missed.

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Alex Cameron has always been a great storyteller, finding his ways into the depths of the places where not many others are looking. Blurring the lines between synth-heavy indie rock and conceptual art, Cameron has used his records to craft the persona of a sleazy show biz hack.

He set the misadventures of his misanthropic character to wry electro-pop on his heady 2013 debut, Jumping the Shark, and developed the character as his sound evolved. His latest release, 2022’s Oxy Music explores topics of addiction and social critique while mixing his '80's radio pop-informed sound with the occasional guest rapper or intentionally garish sax solo.

While Oxy Music could be dark, it’s instead brighter and more buoyant than much of Cameron’s previous work, a shift in mood from 2019’s Miami Memory, told through the lens of Cameron, in the way that only he can tell it.

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From the suburbs of Sydney’s South Coast, Ruby Fields is an Australian singer-songwriter who creates narratives that people feel a close connection to. Her use of simplistic but poignant lyrics in her work has garnered the attention of the international music industry and fans alike. Combining indie rock chords with punk rock delicacy and delivery, it is easy to see why people started paying attention back in 2017.

Ruby Fields has since sold out multiple national tours, toured the UK, performed a coveted Like A Version for triple j, and has been courted by labels in the US. Ruby has solidified her position as the iconoclastic songwriter Australia needed, with hit tracks such as ‘I Want’, ‘P Plates’ and ‘Dinosaurs’, leading her to be the Platinum-selling, chart-topping singer-songwriter she is today. 

Ruby’s 2021 debut album Been Doin’ It For A Bit reached #1 on the ARIA Album charts, beating the likes of Drake and Lil Nas X, and was showered in critical praise upon release.2022 has seen Ruby on the cover of France’s SATURNE Magazine, live at Splendour in the Grass 2022, featured in the film 6 Festivals and release latest EP, Live from Repentance Creek Hall. Get ready to sing along when she plays HARVEST ROCK!

saturday |

In the small town of Chewelah, Washington, Allen Stone grew up on gospel music, spending much of his childhood as a Pastor’s son watching his parents lead their congregation in song. At 11 he wrote his first song and soon after began self-recording demos to share with friends.

He dropped out of college to begin his music career, driving up and down the West Coast in his '87 Buick to play every gig he could. He quickly developed a reputation for powerful live shows, playing up to 200 shows a year. Years since, Allen has built a devoted following on the strength of his near-magical ability to channel a weight-of-the-world sensitivity into his songs while still radiating hope and promise.

His effortless grace in blending everything from edgy soul-pop and earthy folk-rock to throwback R&B and Parliament-inspired funk is reflected in his five full-length albums. From his 2010 debut Last To Speak to 2021’s APART, Stone has kept a constant touring schedule while also appearing live on TV shows like Jimmy Kimmel Live!, Late Night with Seth Meyers and The Today Show, and acting as a mentor on American Idol.

saturday |

Multi-award-winning Electric Fields create a striking and haunting merging of living traditional culture with electronic music, creating moments of breathtaking beauty and power to the stage. Featuring the rare and beautiful voice of Zaachariaha Fielding, who often sings in his traditional languages of the Anangu people, and the brilliance of producer Michael Ross, Electric Fields’ music ranges from soulful pop to epic-scale electronic works, from intensely intimate story-songs through to contemporised versions of traditional music from the APY Lands.

They were named as ‘Movers for the Next Gen’ by Vogue magazine, and finalists for the ARIA Award for Best Live Act, as well as awarded the three top spots for the National Live Music Awards in 2019: Best Live Act, Best Live Voice and Electronic Act of the Year. 2022 has already seen them play the G’Day USA AAA Gala in Los Angeles and the  SummerStage festival in Central Park in NYC, as well as compose the music for the VIVID Lighting of the Sails at Sydney’s Opera House, perform live at the AFL Dreamtime Round, and present an awe-inspiring collaboration with the Melbourne Symphony Orchestra at Hamer Hall.

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In 2018, TOWNS released their debut EP Television, which captured the hearts of fans from the very first spin with its unique blend of Australiana and 90s pop-rock. In-line with their love all things 90s, the duo created TOWNS TV, a nostalgic YouTube series drawing inspiration from the ever-popular Cheez TV that captivated young Australian’s during the late 90’s.

The duo recently announced their signing to Farmer & The Owl and have been named “Best Rock Group” three years running for the South Australian Music Awards. TOWNS continue to deliver their good-time vibes, taking their trademark high octane energy to packed out venues around the country for their headline shows, as well as tours alongside Ruby Fields, Holy Holy, The Jungle Giants, WAAX, Bugs, Dear Seattle and Teenage Joans. They’ve also been regulars on the festival circuit appearing on the bills of Yours & Owls Festival, Falls Festival, NYE on the Hill, Spin Off Festival and more.

sunday |

Slowmango blend influences from across the globe into a sweet and savoury buffet of international groove, invoking moments of compulsive danceability and upbeat celebration, without forgetting Sunday mornings and afternoon drives.

With far reaching influences from across the world, Slowmango are known for their loose-knit progressive arrangements which blend elements of early prog and art rock with African, Latin and Arabic stylings and a healthy dose of experimentation. The group have quickly gained a following for blurring the borders between music and art-creating wildly original and highly immersive live shows and packing out dancefloors at Dark MOFO, The Lab and Darwin Festival in 2021.

saturday |

With 33 ARIA Awards, 16 top-ten albums between them and four of Australia's most celebrated musicians including members of Spiderbait, Jet, Powderfinger, You Am I and The Wrights, the members of Australian Rock Collective remain key players in one of Australia's most lauded musical dynasties.

ARC have many artists and albums that played a huge influence on their own band's musical journeys, Neil Young’s gorgeous Harvest is one of those that unites each member. Now, in a rare setting, Australian Rock Collective are set to perform Neil Youngs’ Harvest live from start to finish.

After recently completing a highly regarded tour around Australia of the album, the Australian supergroup have one more chance to share the show with punters at HARVEST ROCK. The band are unofficially claiming themselves as ambassadors for the seminal festival that shares the name of this album. This set is not to be missed!